event SCHEDULE
XXth Biennial ACSAA SYMPOSIUM
University of Georgia/Emory University Athens & Atlanta, Georgia, April 7 –10, 2022
thursday April 7, 2022
3:00 – 4:00pm
registration opens
Richard B. Russell Jr. Special Collections Library Building,
Second Floor 300 Hull Street, Athens GA 30602.
4:00 – 6:45pm
panel #1-2
Richard B. Russel Special Collections Building, Room 268
New Research on Rock-Cut Architecture: The Legacy of Walter M. Spink
Chair(s): Robert DeCaroli, George Mason University/ Pia Brancaccio, Drexel University
Panelists:
- Abhishek Amar, Hamilton College
“Reconfiguration and Transformation of Buddhist Sites in Western India” - Pia Brancaccio, Drexel University“From Cave to Palace: Re-Thinking the Morphology and Role of the Buddhist Cetiyaghara in the Western Deccan Caves”
- Robert DeCaroli, George Mason University
“Remodeling, Repairs, and Renovations at the Kanheri Caves” - Charlotte Gorant, Columbia University
“Narrative Themes in Ajaṇṭā Cave 1: The Gift of the Body and Moral Perfections” - Jinah Kim, Harvard University
“Scale as a Tool of Spatial and Experiential Transformation at Ajanta and Kanheri” - Tamara Sears, Rutgers University
“Mountains and Water in Medieval India: Looking at Caves through a Geoaesthetic Lens” - Lisa N. Owen, University of North Texas
“Shubh Yatra: Return Trip to Ellora” - Nicolas Morrissey, University of Georgia
“What a Difference a Mudrā can Make: Iconology and Buddhology at Ajaṇṭā”
6:45 – 8:00pm
wElcome reception
Richard B Russel Jr. Special Collections Library Second Floor Rotunda
friday April 8, 2022
8:30 – 9:30am
registration / coffee / continental breakfast reception
M. Smith Griffith Grand Hall/Jane and Harry Willson Sculpture Garden,
Georgia Museum of Art, 90 Carlton Street, Athens GA 30602
9:30 – 11:20am
panel #3
M. Smith Griffith Auditorium, Georgia Museum of Art
Devotional Objects and Ritual Contexts in South and Southeast Asia
Chair: David Efurd, Wofford College
Panelists:
- Carol Radcliffe Bolon, Smithsonian Institution Research Associate
“Light of Devotion: Oil Lamps of Kerala” - Alexandra Kaloyanides, University of North Carolina, Charlotte
“Resourcing Religion: Gems, Metals, and Ivory in Burmese Buddhism” - David Efurd, Wofford College
“How Intentional Were Early Buddhist Sculptural and Iconographic Programs? A Solution at Karle” - Dessi Vendova, Graduate Theological Union, Berkeley, CA
“A New Look at the ‘Muhammad Nari Stele’ and Other Similar Complex Steles from Gandhāra”
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Divya Kumar-Dumas, Institute for the Study of the Ancient World
“An Indian Ocean Figure that Sailed Away: A Bronze yakshi from Khor Rori”
11:20 – 11:30am
break
11:30 – 12:30pm
acsaa business meeting
M. Smith Griffith Auditorium, Georgia Museum of Art
12:30 – 2:00pm
lunch
First Floor Atrium/Outdoor Courtyard
Lamar Dodd School of Art,
270 River Road, Athens GA 30602
2:00 – 3:45pm
panel #4
M. Smith Griffith Auditorium, Georgia Museum of Art
New Discoveries in Early Southern Buddhist Art: Changing the Paradigms
Chair: John Guy, Metropolitan Museum of Art
Panelists:
- John Guy, Metropolitan Museum of Art
“Early Phase Andhradeśa Sculpture – Towards a New Chronology” - Robert Arlt, Saxon Academy of Sciences and Humanities
“Sculptures and Inscriptions along the Circumambulation Path of the Kanaganahalli Stūpa” - Akira Shimada, SUNY New Paltz
“Early Style of Nagarjunakonda: Sculptures from Sites 6 and 9” - Monika Zin, Saxon Academy of Sciences and Humanities
“Vidūṣaka’s brothers”
3:45 – 4:00pm
coffee break
4:00 – 5:45pm
panel #5
Matrices and Flows
Chair: Nachiket Chanchani, University of Michigan
Panelists:
- Penny Edwards, University of California, Berkeley
“Angkor and the Seventh Art: The Cinema of Norodom Sihanouk” - Priya Maholay-Jaradi, National University of Singapore
“South Asia in Singapore’s Museums: Beyond the Patina of Diplomacy and Classicism” - Kaja McGowan, Cornell University
“Coaxing Kusha to Speak a Connected History: Meditating on the Ritual, Aesthetic and Ecological Matrices of Salt Reed Grass in South and Southeast Asia” - Nachiket Chanchani, University of Michigan
“Empty Bowls Full of Meaning: A Connected History of the Brahmaputra and Irrawwaddy Valleys”
6:00 – 8:00pm
evening reception
M. Smith Griffith Grand Hall/Jane and Harry Willson Sculpture Garden
Georgia Museum of Art, 90 Carlton Street, Athens GA 30602
saturday April 9, 2022
11:00 – 12:30pm
museum excursion/gallery talks
Michael C. Carlos Museum, Emory University
571 South Kilgo Cir NE, Atlanta, GA 30322
Exclusions, Inclusions, and Ambiguities in a Teaching Museum
Chair: Elizabeth Hornor, Michael C. Carlos Museum
Panelists:
- Sara McClintock, Emory University
“Red Sandstone Seated Buddha or Bodhisattva in Full Lotus Position?” - Karuna Kaur Srikureja, Denver Art Museum
“Faking It: The Problem of Forgeries in Gandharan Art and the Michael C. Carlos Museum Narrative Frieze” - Joyce Burkhalter Flueckiger, Emory University
“Who is the Fierce Goddess?” - Aditya Chaturvedi, Emory University
“Why Does Vishnu Have Eighteen Arms?” - Ellen Gough, Emory University
“What Should Vamana Look Like?”
11:00 – 1:00pm
reserve collection open viewing
The Cosmic Man c. 19th Century Jain Painting of the Cosmos
Tate Room, Basement Level, Michael C. Carlos Museum
1:00 – 2:00pm
lunch
Michael C. Carlos Museum, Emory University
2:00 – 3:45pm
panel #6
Ackerman Hall, Michael C. Carlos Museum, Emory University
The Bhāgavata Purāṇa in the Visual Arts
Chair: Daniel J. Ehnbom, University of Virginia
Panelists:
- Arathi Menon, Hamilton College
“The Chathankulangara Narasimhaswamy Bhāgavata” - Neeraja Poddar, Philadelphia Museum of Art
“Krishna in the Kathmandu Valley: An Illustrated Bhāgavata from Nepal” - Maud Siron, Hiéron Museum of Sacred Art
“An Enlightening Combination: Exploring the Text-Image Relationship in a Bhāgavata Purāṇa Scroll” - Vasudha Narayanan, University of Florida
“Invictus and the Nectar of Immortality: Ajita, Amṛta, and the Churning of the Ocean of Milk Narrative in the Bhāgavata Purāṇa”
3:45 – 4:00pm
coffee break
4:00 – 5:45pm
panel #7
Ackerman Hall, Michael C. Carlos Museum, Emory University
The Haunting of South Asian Art History
Chair: Catherine Becker, University of Illinois, Chicago
Panelists:
- Monalisa Behera, Jawaharlal Nehru University
“Demon-like Gods: Interpreting the iconography of Cāmuṇḍā as Personification of the Great Goddess’s Wrath”
- Maggie Schuster, University of Illinois, Chicago
“Entering the Zenana: Ephemera and Power in Mughal Architecture” - Janice Leoshko, University of Texas at Austin
“On Coomaraswamy’s Time” - Stephen P. Huyler, Independent Scholar
“The Rewards of Random Scholarship” - Mira Rai Waits, Appalachian State University
“Picturing the Prison: Gandhi and the Yerawada Central Jail”
6:00 – 7:00pm
keynote lecture
Ackerman Hall, Michael C. Carlos Museum, Emory University
“INDIAN ART MEETS AMERICAN ARTS AND CRAFTS: JAIN WOODEN HOUSE SHRINES IN AMERICAN MUSEUM COLLECTIONS”
Professor John Cort, Denison University
sunday April 10, 2022
8:30 – 9:00am
coffee reception
Michael C. Carlos Museum, Emory University
9:00 – 10:15am
panel #8
Ackerman Hall, Michael C. Carlos Museum, Emory University
Ephemerality as Endurance (In Honor of Rick Asher)
Chair: Pika Ghosh, Haverford College
Discussant: Annapurna Garimella, Independent Scholar
Panelists:
- Susan S. Bean, Independent Scholar
“Making, Using, Disposing, Remaking… : Terracruda Sculpture as an Art of Re-creation in Southern Asia” - Holly Shaffer, Brown University
“Ephemerality, Cultivation, and Cuisine” - Yael Rice, Amherst College
“The Muraqqa‘ as a Medium and Mode of Preservation”
10:15 – 10:30am
coffee break
10:30 – 12:00pm
panel #9
Ackerman Hall, Michael C. Carlos Museum, Emory University
Imagined Worlds: Art, Aesthetics, and Identity in South Asia
Chair: Kerry Lucinda Brown, Savannah College of Art and Design
Panelists:
- Nandita Punj, Rutgers University
“Vernacular Jain art in Eighteenth century Bikaner: The Case of the Mathen community” - Shivani Sud, University of California, Berkeley
“A Courtly City in a Colonial World: Imagining Jaipur in the Long Eighteenth Century” - Yuthika Sharma, University of Edinburgh/Northwestern University
“Decoding a Colonial-era Muraqqa’: Making Minutiae in the Fraser Album” - Owen Duffy, Yeh Art Gallery, St. John’s University“Lain Singh Bangdel and the ‘Aesthetic Movement’ for a Modern Nepal”